June 13, 2015

The redwoods, once seen, leave a mark or create a vision that stays with you always.


Travels with Charley: in Search of America
By John Steinbeck

"The redwoods, once seen, leave a mark or create a vision that stays with you always. No one has ever successfully painted or photographed a redwood tree. The feeling they produce is not transferable. From them comes silence and awe. It's not only their unbelievable stature, nor the color which seems to shift and vary under your eyes, no, they are not like any trees we know, they are ambassadors from another time. They have the mystery of ferns that disappeared a million years ago into the coal of the carboniferous era. They carry their own light and shade. The vainest, most slap-happy and irreverent of men, in the presence of redwoods, goes under a spell of wonder and respect. Respect--that's the word. One feels the need to bow to unquestioned sovereigns. I have known these great ones since my earliest childhood, have lived among them, camped and slept against their warm monster bodies, and no amount of association has bred contempt in me. And the feeling is not limited to me."
(p. 143)

"I stayed two days close to the bodies of the giants, and there were no trippers, no chattering troupes with cameras. There's a cathedral hush here. Perhaps the thick soft bark absorbs sound and creates a silence. The trees rise straight up to zenith; there is no horizon. The dawn comes early and remains dawn until the sun is high. Then the green fernlike foliage so far up strains the sunlight to a green gold and distributes it in shafts or rather in stripes of light and shade. After the sun passes zenith it is afternoon and quickly evening with a whispering dusk as long as was the morning.
Thus time and the ordinary divisions of the day are changed. To me dawn and dusk are quiet times, and here in the redwoods nearly the whole of daylight is a quiet time. Birds move in the dim light or flash like sparks through the stripes of sun, but they make little sound. Underfoot is a mattress of needles deposited for over two thousand years. No sound of footsteps can be heard on this thick blanket. To me there's a remote and cloistered feeling here. One holds back speech for fear of disturbing something--what? From my earliest childhood I've felt that something was going on in the groves, something of which I was not a part. And if I had forgotten the feeling, I soon got it back.
At night, the darkness is black--only straight up a patch of gray and an occasional star. And there's a breathing in the black, for these huge things that control the day and inhabit the night are living things and have presence, and perhaps feeling, and, somewhere in deep-down perception, perhaps communication. I have had lifelong association with these things. (Odd that the word "trees" does not apply.) I can accept them and their power and their age because I was early exposed to them. On the other hand, people lacking such experience begin to have a feeling of uneasiness here, of danger, of being shut in, enclosed and overwhelmed. It is not only the size of these redwoods but their strangeness that frightens them. And why not? For these are the last remaining members of a race that flourished over four continents as far back in geologic time as the upper Jurassic period. Fossils of these ancients have been found dating from the Cretaceous era while in the Eocene and Miocene they were spread over England and Europe and America. And then the glaciers moved down and wiped the Titans out beyond recovery. And only these few are left--a stunning memory of what the world was like once long ago. Can it be that we do not love to be reminded that we are very young and callow in a world that was old when we came into it? And could there be a strong resistance to the certainty that a living world will continue its stately way when we no longer inhabit it?"
(pp. 146-7)

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