"I don't fucking care if you like it."

Bossypants
by Tina Fey

I just finished. Can I blog the entire book as an excerpt?

No? OK. I'm going with two more -- the first about her father and the second about her best friend Amy Poehler. There are so many good ones, though, and honestly I can't even remember where they are exactly -- excerpts about her start at SNL, 30 Rock, breaking stereotypes about women in the workplace, growing up, being Sarah Palin, her honeymoon, her daughter. I didn't write the page numbers down the way I usually do because I was reading it all too fast.

How can I give her what Don Fey gave me? The gift of anxiety. The fear of getting in trouble. The knowledge that while you are loved, you are not above the law. The Worldwide Parental Anxiety System is failing if this many of us have made sex tapes ... Don Fey is from the Silent Generation. They are different from their children. They cannot be "marketed to." They don't feel "loyalty" to Barnes and Noble over Borders. If you told Don Fey that you never go to Burger King only McDonald's, because you "grew up with the Hamburglar," he would look at you like you were a moron.
When my face was slashed, my dad held me on his lap in the car to the hospital, applying direct pressure with the swift calm of a veteran and an ex-fireman. I looked up and asked him, "Am I going to die?" "Don't speak," he said. So, yeah, he's not the kind of guy who wants to watch people eat bugs on Survivor. It's so clear to me how those two things are related.
My dad has visited me at work over the years, and I've noticed that powerful men react to him in a weird way. They "stand down." The first time Lorne Michaels met my dad, he said afterward, "Your father is...impressive." They meet Don Fey and it rearranges something in their brain about me. Alec Baldwin took a long look at him and gave him a firm handshake. "This is your dad, huh?" What are they realizing? I wonder. That they'd better never mess with me, or Don Fey will yell at them? That I have high expectations for the men in my life because I have a strong father figure?
Only Colin Quinn was direct about it. "Your father doesn't fucking play games. You would never come home with a shamrock tattoo in that house."
That's Don Fey.
(pp. 53-5)

Amy Poehler was new to SNL and we were all crowded into the seventeenth-floor writers' room, waiting for the Wednesday read-through to start. There were always a lot of noisy "comedy bits" going on in that room. Amy was in the middle of some such nonsense with Seth Meyers across the table, and she did something vulgar as a joke. I can't remember what it was exactly, except it was dirty and loud and "unladylike."
Jimmy Fallon, who was arguably the star of the show at the time, turned to her and in a faux-squeamish voice said, "Stop that! It's not cute! I don't like it."
Amy dropped what she was doing, went black in the eyes for a second, and wheeled around on him. "I don't fucking care if you like it." Jimmy was visibly startled. Amy went right back to enjoying her ridiculous bit. (I should make it clear that Jimmy and Amy are very good friends and there was never any real beef between them. Insert penis joke here.)
With that exchange, a cosmic shift took place. Amy made it clear that she wasn't there to be cute. She wasn't there to play wives and girlfriends in the boys' scenes. She was there to do what she wanted to do and she did not fucking care if you like it.
I was so happy. Weirdly, I remember thinking, "My friend is here! My friend is here!" Even though things had been going great for me at the show, with Amy there, I felt less alone.
(pp. 143-4)

Start with a YES and see where it takes you.

Bossypants
by Tina Fey

Because I'm feeling a little down and because I, recently, discovered 10 years later than everyone else how awesome Tina Fey is and because, for that reason, I am just now reading Bossypants: an excerpt. Improv rules that are also rules for life. I think.

The Rules of Improvisation That Will Change Your Life and Reduce Belly Fat*

The first rule of improvisation is AGREE. Always agree and SAY YES. When you're improvising, this means you are required to agree with whatever your partner has created. So if we're improvising and I say, "Freeze, I have a gun," and you say, "That's not a gun. It's your finger. You're pointing your finger at me," our improvised scene has ground to a halt. But if I say, "Freeze, I have a gun!" and you say, "The gun I gave you for Christmas! You bastard!" then we have started a scene because we have AGREED that my finger is in fact a Christmas gun.

Now, obviously in real life you're not always going to agree with everything everyone says. But the Rule of Agreement reminds you to "respect what your partner has created" and to at least start from an open-minded place. Start with a YES and see where it takes you. 

As an improviser, I always find it jarring when I meet someone in real life whose first answer is no. "No, we can't do that." "No, that's not in the budget." "No, I will not hold your hand for a dollar." What kind of way is that to live?

The second rule of improvisation is not only to say yes, but YES, AND. You are supposed to agree and then add something of your own. If I start a scene with "I can't believe it's so hot in here," and you just say "Yeah..." we're kind of at a stand-still. But if I say, "I can't believe it's so hot in here," and you say "What did you expect? We're in hell," Or if I say, "I can't believe it's so hot in here," and you say, "Yes, this can't be good for the wax figures." Or if I say, "I can't believe it's so hot in here," and you say, "I told you we shouldn't have crawled into this dog's mouth," now we're getting somewhere. 

To me YES, AND means don't be afraid to contribute. It's your responsibility to contribute.  Always make sure you're adding something to the discussion. Your initiations are worthwhile.

The next rule is MAKE STATEMENTS. This is a positive way of saying "Don't ask questions all the time." If we're in a scene and I say, "Who are you? Where are we? What are we doing here? What's in that box?" I'm putting pressure on you to come up with all the answers.

In other words: Whatever the problem, be part of the solution. Don't just sit around raising questions and pointing out obstacles. We've all worked with that person. That person is a drag. It's usually the same person around the office who says things like "There's no calories in it if you eat it standing up!" and "I felt menaced when Terry raised her voice."

MAKE STATEMENTS also applies to us women: Speak in statements instead of apologetic questions. No one wants to go to a doctor who says, "I'm going to be your surgeon? I'm here to talk to you about your procedure? I was first in my class at John Hopkins, so?" Make statements, with your actions and your voice.

Instead of saying "Where are we?" make a statement like "Here we are in Spain, Dracula." Okay, "Here we are in Spain, Dracula" may seem like a terrible start to a scene, but this leads us to the best rule:

THERE ARE NO MISTAKES, only opportunities. If I start a scene as what I think is very clearly a cop riding a bicycle, but you think I am a hamster in a hamster wheel, guess what? Now I'm a hamster in a hamster wheel. I'm not going to stop everything to explain that it was really supposed to be a bike. Who knows? Maybe I'll end up being a police hamster who's been put on "hamster wheel" duty because I'm "too much of a loose cannon" in the field. In improv there are no mistakes, only beautiful happy accidents. And many of the world's greatest discoveries have been by accident. I mean, look at the Reese's Peanut Butter Cup, or Botox. 

*Improv will not reduce belly fat.

(pp. 84-5)